Benicio's Frank sure as hell does, and it's difficult to imagine Penn's and Watts's character not sharing this view by the film's end. In this scene, the three characters are united for the first time. Anyway, he does what he can to rage against God and then to deny him entirely, and I think we're supposed to be left with some kind of "life must go on" kind of hope. The movie's excesses are exhausting and troubling Flashback Scene — It is a summary of everything that has happened and everything that will happen with music as a voice-over. The main incident that has previously changed their lives has lead them together in the same location, emotional state, and destiny. For them it's either Jesus or alcohol or drugs What has been gained?!!
This movie needs a valium. I got the feeling he was slightly appalled, but maybe not. In this scene, the three characters are united for the first time. The main incident that has previously changed their lives has lead them together in the same location, emotional state, and destiny. What has been gained?!! Make of that what you will. Repeat cut Scene 1, 86, 89, 91 — Sex scene of Paul and Cristina. This is transitioned by a shot of the prison sink right before Jack tries to kills himself This transition shows the way in which two different characters act upon the same feeling of wanting to numb the pain Motivated cut Scene Not all of it, but a lot of it. Gonzalez Innaritu says he was subjected to the usual Catholic teachings and began to develop strong skepticism by age 12 or When Cristina beats up Jack, Paul purposely shoots himself in the shoulder. Cristina is holding Paul in her hands, which is one of the final incidents. Let me shout your movie's closing question right back at you: I started thinking that a lot of the misery these characters suffer and blame on God is really their own fault. Benicio's Frank sure as hell does, and it's difficult to imagine Penn's and Watts's character not sharing this view by the film's end. But where Tarantino has a gunshot or several every few minutes, Innaritu has one of his central characters or several suffer an emotional breakdown every few minutes. Flashback Scene — It is a summary of everything that has happened and everything that will happen with music as a voice-over. His characters have three modes: It also needs more restraint. This enforces the Butterfly Effect. Flash-forward Scene 1, 2 — The first scene shows Cristina and Paul having sex. Benicio's character, Frank, bails on Jesus after causing the death of three people in a terrible car accident -- he can't forgive any celestial presence that would benignly permit such a thing. And if Inarritu told this story to demonstrate how empty Christian hope is, he sure has left us abandoned on a planet with people who are only more cruel to themselves than they are to each other. The movie's excesses are exhausting and troubling The significance of the repetition is to show how their lives have turned into misery but also how two of the three stories are interlinked. As in Amores Perros, Innaritu borrows artful imagery right out of the Colors trilogy this time it's the fetal-position grieving underwater in a swimming pool, and a baffled witness to an offscreen car accident who gapes for a moment and then drops what he's doing and runs to investigate.
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