Starring alongside Marianne Jean-Baptiste , she portrayed a lower-class box factory worker, who after years once again comes in contact with her illegitimate grown-up black daughter, whom she gave up for adoption thirty years earlier. Also starring Timothy Spall , Celia Imrie , and Mel Smith , it tells the story of a boy, played by Joseph Phillips, looking for an angel to save his mother after an accident. Dunn's third feature film, it tells the story of Joanna, played by Emily Beecham , who after graduating from university, goes against her family and friends when she decides to join a closed order of nuns. She is also passionate about cooking and solving crosswords. If you blink you'll miss me. A period drama based on the same-titled novel by Norman Maclean , also starring Craig Sheffer and Brad Pitt , the film revolves around two sons of a Presbyterian minister—one studious and the other rebellious—as they grow up and come of age during the Prohibition era in the United States. She also has an apartment in North East England that she uses for up to five months every year whilst filming Vera.
Loosely based upon the real experiences by writer Kay Melior, the production was originally destined for television until Granada Productions found backing from Showtime. Blethyn played a middle-aged newly widowed woman who is faced with the prospect of financial ruin and turns to growing marijuana under the tutelage of her gardener to save her home. Finding her teenage diary and discovering a list of twelve tasks and ambitions which she had set for herself, Erica sets out to complete them before reaching the milestone. While the production was panned in general,  the actress earned mixed reviews for her performance of an eccentric ex-prostitute and mother, as some critics such as Kevin Thomas considered her casting as "problematic [due to] caricatured acting. A period drama based on the same-titled novel by Norman Maclean , also starring Craig Sheffer and Brad Pitt , the film revolves around two sons of a Presbyterian minister—one studious and the other rebellious—as they grow up and come of age during the Prohibition era in the United States. Portraying a second generation immigrant of Scottish heritage , Redford required Blethyn to adopt a Western American accent for her performance, prompting her to live in Livingston, Montana in preparation of her role. During promotion of the film, she noted of her portrayal of the character: Blethyn played Erica Parsons, a single mother approaching her fortieth birthday who realises that life is passing her by. At the end of a marriage, she opted to turn her hobby of amateur dramatics to her professional advantage. Bennet dies, all the money goes down the male line; she has to save her daughters from penury. Released to film festivals in , the independent drama was not released to UK cinemas until , when it was met with mixed to negative reviews by critics, some of which declared it "half Doubt , half Hollyoaks ". In the film, she played the character of Joan, a Glasgow housewife, who secretly enrolls in bus-driving classes after her husband's dismissal. The couple married in June The film scored a generally positive reception but was financially unsuccessful, leading to a direct-to-TV release stateside. Her performance in the film received favourable reviews; Peter Travers wrote for Rolling Stone: Bennet , a fluttery mother of five sisters who desperately schemes to marry her daughters off to men of means. Entertainment Weekly writer Lisa Schwarzbaum called her "challenged, unsure [ As soon as Mr. The film received universally negative reviews from film critics, who deemed it to be full of "poor performances, stiff dialogue, [and] flat characters". A romantic drama with comedic and thrilling elements, the film was shot at several locations in Ireland, England and Italy in , and received a limited release the following year. That it reached a wider audience surprised me. She was nominated for an Olivier Award for her performance as Sheila in Benefactors. The film was a financial disappointment: Adrian Wootton of The Guardian called it "an impressive directorial debut [that] mainly succeeds because [of] the talents of its lead actors". Starring alongside Marianne Jean-Baptiste , she portrayed a lower-class box factory worker, who after years once again comes in contact with her illegitimate grown-up black daughter, whom she gave up for adoption thirty years earlier. Whilst I don't approve of her behaviour, there is a reason for it and it was my job to work that out. She is a desperate woman, but she also has an optimistic take on life which I find enviable.
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