All members undertake a vow of chastity -- no artificial lighting; no tacked-on music; no scenes shot out of sequence; all films made with hand-held cameras; directors not credited. The only thing they were dogmatic about was atheism and communism. I ran away of course. We pass his producer's office, crammed with awards from Cannes, Berlin and Venice, and arrive in an office stuffed with shabby family photos. No, he says, he wants us to equate it with the scene in which the actor-retards meet real people with Down's syndrome.
Alexander Walker in the London Evening Standard declared it one of the worst five films ever. He never thought finding out about his non-biological father, whom he loved, would bother him but it did. Now he is much happier because he is married to someone who loves him. He said they were angels, not in the sense that they were very good, but in the sense that they were sent from God because they were a different breed. They thought they were fascistic. If you come in here, and eat some of our cake and maybe have a coffee. It was nothing they were instructed to do. It changed him, for all of us, for the better. A far cry from the Von Trier of Eurotrash, dubbed in the classic upper-class twit's voice announcing there's nothing he'd rather make than a porn film. Nor had he, or the family, been religious; it was just the sense of loss. We're on the outskirts of Copenhagen in a disused military barracks stocked with long, brown buildings that look like chocolate bars. And another group are making porn films. What is his greatest phobia now? He made Breaking The Waves just after his divorce from his first wife, the mother of two of his four children. It takes a while to realise this is Von Trier's muted self-conscious laughter. In Denmark, Von Trier is feted, adored and ridiculed -- the genius as national laughing stock. Actually, as a child, whenever I went on school trips, we would stick our heads out the back of the bus trying to convince people we were retarded. When people laughed, they screamed at them for their cruelty. He was trying to rebuild himself, very bravely. Victim is a good word. Von Trier says he found the freedom cruel and oppressive. In Breaking The Waves a shred of a girl falls in love with a butter mountain of a man. Europa and The Element Of Crime would have been better off shown in galleries than cinemas. This is his new studio. The young Von Trier became as confused and anxious as he was precocious. In the same way that the traumatic Breaking The Waves is also perversely joyful and hopeful.
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