Bill and Lucia find Dedee and Matt, only to discover Dedee has stolen Tom's ashes and is holding them for ransom. Then Dedee lights up a cigarette and hits the road, up from Louisiana to a perfect American small town, dateline darkest Indiana. She's what we have created of our children, formed by broken marriages, child abuse, political cynicism, ineffective education, no hope and a sex-obsessed, violence-worshiping entertainment industry. He loves Matt and he cares for Dedee. One of those odd little jobs sustained by a spirit of pure, studied rancor, it's not for the sugary of disposition or the compassionate of temperament. The pain she brings to us is the pain we gave her as her birthright; we created her.
What hits you right away is the movie's main trick, a trick of voice; it's told in the laconic, surly rhythms of a youth so disaffected she's possibly diseased, too, at least in the spirit. It's a terrific movie. After a few months, she moves back in with Bill, while Matt goes traveling, and Lucia gives birth to her own child. Life, she argues, is cruel; you fools who believe in love must be crushed for your idiocy. He loves Matt and he cares for Dedee. No, Bill is too nice. It's to writer-director Don Roos's eternal credit that in the end, and without a tremor of regret, he merrily subverts his own carefully crafted darkness. Bill of course goes after them. She stands for the principles of reality and survival, and against the sentimentalists of Indiana, as she qualmlessly advances her own agenda, in a way punishing them for their delusions. One of those odd little jobs sustained by a spirit of pure, studied rancor, it's not for the sugary of disposition or the compassionate of temperament. Bill maintains a friendship with Tom's younger sister, Lucia Lisa Kudrow , who idolized her brother. She's what we have created of our children, formed by broken marriages, child abuse, political cynicism, ineffective education, no hope and a sex-obsessed, violence-worshiping entertainment industry. She wouldn't have left the White House without a six-figure advance from Revlon in a Swiss bank account. Not revealing her pregnancy, Dedee eventually moves in with her much older half-brother Bill Martin Donovan , a gay teacher in a conservative, suburban community in Saint Joseph County , Indiana. Bill and Lucia find Dedee and Matt, only to discover Dedee has stolen Tom's ashes and is holding them for ransom. That means my mom is a jerk and my best friend is a loser bitch. She's the unsympathetic narrator, who is mightily amused by the pain she is causing and whose languid coldness and lack of moral affect is meant to shock us even as it amuses us. Sex, she argues, can mean death these days, so you'd better get it working for you or it'll work against you. There, she discovers love, loyalty and conscience and sets out to destroy them, with one end in mind: She is evil, but she is our evil: Bill eventually tracks down Matt and Dedee. Dedee seduces Matt, then tricks him into believing he has impregnated her. She moves in with her kind, decent, gay half-brother Bill Martin Donovan and promptly seduces his lanky boyfriend, Matt Ivan Sergei. Dedee sarcastically concludes that sex is precisely the opposite of what people should want, leading as it does to kids, disease or, worst of all, relationships. It's for misanthropes, grumps, old fuds and those for whom life has the perpetual whiff of ammonium distillate. Randy also finds Dedee; they inform Matt that they are taking the ashes and moving away. She and Matt escape to Canada.
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The Opposite of Sex - Trailer
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