And finally, it concludes with an analysis on how two important events in history, namely World War II and Martial Law altered the course of contemporary Philippine film. Live theater began to flourish again as movie stars, directors and technicians returned to the stage. Although illegal, local video rental shops and newsstands became the primary channel of for-sale and rented pornographic materials. Based on the study, female consumers evolves around the "couple context" or relationship context, while male patrons do so in relation to solitary sexual activity. This was also a ready market especially after the war. From the massacre movies of late, the teen-oriented romantic-comedies and the anatomy-baring sex flicks which are currently so popular, it seems Philippine cinema is on a down spiral. Hopefully, Philippine cinema in the new millennium would produce films as good and better than the ones before it.
The s to s A. Also, action and sex films developed further introducing more explicit pictures. Studies show that Hollywood films, with its high technology and subject matter, are being preferred over local films. This is inevitable; as an art form the cinema in the Philippines can no longer remain isolated from the main current of sensibilities and ideas that shape other artistic forms, such as literature, painting, the theater, etc. The first studio to close was Lebran followed by Premiere Productions. Based on the study, female consumers evolves around the "couple context" or relationship context, while male patrons do so in relation to solitary sexual activity. In , he sought to contain growing unrest which the youth revolt of the s fueled. Next came Sampaguita and LVN. The hardcore porn industry is non-existent in the Philippines, but such productions are subcontracted by foreign producers — including businessmen from the United States  — to local filmmakers. The decade saw frenetic activity in the film industry which yielded what might be regarded as the first harvest of distinguished films by Filipinos. This is done by documenting the important events and important films in the area of film for the past ninety years. Under martial law, action films depicting shoot outs and sadistic fistfights which were as violent as ever usually append to the ending an epilogue claiming that the social realities depicted had been wiped out with the establishment of the New Society. They embodied the wanting to rebel against adult institutions and establishments. And when we are not copying, we are reverting back to the same old styles. Kapit sa Patalim My Country: Among these characteristic differences from its Western or typically racy counterparts are the non-display of frontal nudity and human genitalia, although it features Filipino women as " playmates ". Daroy had to say about the Philippine film industry: The s, though a time of positive changes, brought about an artistic decline in films. The Japanese brought their own films to show to Filipino audiences. As an art form, it reflects the culture and the beliefs of the people it caters to and most times, is the one who shapes their consciousness. The line dividing the good and the bad in the komedya was religion with the Christians being the good and the Moors representing the bad. Filmmakers dared to venture into the genre of the war movie. Another source of movie themes was Philippine literature. The film Tatlo comes to mind with its subject matter of threesomes. The s and the war brought to Philippine film the consciousness of reality which was not present in the preceding films. Still, some films been successes and not only financially.
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